Porsche Pavilion at the Autostadt in Wolfsburg

A few weeks ago the Dr .Ing. h. c. F. Porsche AG celebrated the opening of their Porsche Pavilion at the Autostadt in Wolfsburg in the presence of 200 guests of honor. For the first time since its opening in 2000, the theme park receives another building structure in the form of the new Porsche Pavilion, which expresses the importance of Porsche within the Volkswagen Group family.

“The building is unique and its construction is extraordinary. This pavilion also has a symbolic and historical dimension, as it hints at the common roots through which Porsche and Volkswagen have been connected from the very beginning and will continue to be connected also in future’, says Matthias Müller, CEO of Porsche AG. ‘As a worldwide leading automobile destination and communication platform for Volkswagen, we provide insights into our brands, values and philosophy for our guests. With the Porsche Pavilion we start a new chapter in the history of the Autostadt”, adds Otto F. Wachs, Director of the Autostadt.

The organically shaped building is sitting – in mirrored location to the Volkswagen Pavilion – at the central axis of the theme park and offers 400 m² of space for exhibitions and presentations. Its characteristic silhouette will become a distinctive icon amid the lagoon landscape of the Autostadt.

Curving lines and exciting bends make the Pavilion a dynamic yet reduced sculpture with its characteristics derived from the Porsche brand image. As designed by HENN, the structure captures the dynamic flow of driving with a seamless building skin. Its lines pick up speed and slow down just to plunge forward in large curves with ever-changing radii. A matte-finished stainless steel cladding forms the flush envelope of this vibrant structure, creating the impression of a homogeneous unity, whilst creating a continuously changing appearance depending on light and weather conditions. At the entrance the pavilion cantilevers 25m over the lagoon’s water surface in front. Below the cantilever of the large asymmetrical roof, a sheltered external space opens up. This space is visually connected to the surrounding landscape, but forms its own acoustic enclosure, providing seating for a few hundred guests. Architecture and landscape, interior and exterior as well as roof and facade are brought together by HENN in their architectural concept of a coherent, flowing continuum. The external area around the pavilion was designed by landscape architects WES and integrated into the overall concept of the theme park. This is how the new piazzetta creates a connection between the Porsche Pavilion and the adjacent Volkswagen Commercial Vehicles Pavilion by means of water features and trees. By walking around the sculptural Porsche Pavilion, further highlights of the Autostadt can be discovered.

Similar to the monocoque construction technology used for lightweight structures in the automotive and aerospace industries, the building envelope forms a spatial enclosure whilst at the same time acting as load-bearing structure. A total of 620 sheets of stainless steel cladding with welded ribs were prefabricated in a ship-yard in Stralsund and assembled on site.

Inside the pavilion a concentrated space opens up, allowing visitors to experience the sports car brand Porsche and its history, yet, casting aside the conventional limits and restraints to perception. The elliptically curved ramp embraces the dynamic principle of the architecture and leads the visitor to the lower exhibition stage areas. The exhibition and staging concept created by hg merz architekten museumsgestalter and jangled nerves combines evolution, engineering and the fascination of Porsche into an impressive image of future-oriented tradition. The Original Porsche – a 356 No.1 built in 1948 – is the starting point for a swarm of 25 silver coloured vehicle models at the scale of 1:3, on show in the main exhibition area.

Tradition and innovation, performance and day-to-day-practicality, design and functionality, exclusiveness and social acceptance: These four antagonistic terms characterise Porsche’s values and philosophy. They are also picked up as themes in short films. A film about the company history, sound stories about selected Porsche models as well as tablet PCs with further information about the exhibited vehicles make this visit’s experience perfect.

Rieteiland House

While the front of this waterside house, on the recently developed island of IJburg near Amsterdam, is clad in perforated aluminium panels, the rear is entirely glazed, so that residents can watch the sun set. Some of these panels are positioned behind windows and can be opened automatically to allow light to enter. The waterfront façade, by contrast, is completely open and orientated to the view. On the second floor, part of the volume is omitted to create space for a screened roof terrace. Typical of Van Heeswijk’s designs is the application of 'timeless' materials such as glass, steel, concrete and wood.

The sensory experience is largely determined by the transparency achieved and a flowing spaciousness that extends from high to low and from big to small. Located in the centre of the plan is a core (the 'magic box') that rises the full threestorey height of the building and is wrapped in wenge timber for acoustic reasons. The core contains storage closets, a toilet on every floor, cables and a dumbwaiter. Openings in the floor slabs create double height spaces in the large groundfloor dining area, a first-floor living area and second-floor master bedroom. Views become increasingly panoramic towards the top of the house. Balustrades made of glass ensure unobstructed views from the balconies.

The house is designed to accommodate the family’s way of living. When changing clothes in the bathroom, they throw the laundry into a tube that carries it down two floors to the washing machine. Once washed and ironed, the clothes are carried back upwards on a small lift. All of this underlines the effective and efficient design of the house.

Van Heeswijk took the opportunity to design almost everything specially for his home. From furniture, shelves, bathroom furniture, benches, cabinets, fireplace, long dining tables, a kitchen island with built-in dessert trolley to the door handles. The door and window fittings are now in the collection of Post & Eger, series 'Wave'.

Margaretenstraße 9

A three story rooftop extension was added to an existing Wilhelminian-times house. Plans of the four new spacious apartments - one of them a maisonette - were developed from a complex set of geometric reference grids, which were derived from the shape of the irregular 5-street intersection of Operngasse and
Margeretenstraße.

In section, these conflicting reference frames were merged into a unified structure by a meandering 3-dimensional ribbon, that eventually transitions into the topcornice of the existing facade, thus merging old and new. Architectural volume, glass facades and terraces orchestrate exciting views into the streets of Vienna and along its roofscape, creating a generous open atmosphere that reflects the urbanistic conditions of this premium location.

Social Center in Mesoiro

The building was made for social use in the district of Mesoiro, in the City council of Corunna (Spain), projected in a single plant at an only level. The access is made through a patio that it protects of prevailing winds of the zone, and serves like outer space oriented to the zone of games. The building is organized on three volumes fundamental. The distribution of the construction distributes the spaces with a clear use.